Album review : Michael Jackson and kids tribute: Dangerous has its flaws. The ballads on the back (non-Riley) half of the album could pass for gospel renditions of Celine Dion schmaltz. Despite its noble message and Jackson’s statement that it was the song he was most proud of writing, “Heal the World” is essentially “We Are The World Pt. 2.” The theme from Free Willy, “Will You Be There” offers a sweet sentiment, but it’s not exactly “I Believe I Can Fly.” “Gone Too Soon” falls into that same category of beautifully intentioned crooning that ultimately sounds like a dentist office doxology, especially when contrasted with the brilliant funk of the first side. Some interpreted it as a desire to catch up, but it’s more emblematic of his lust to conquer. If Off the Wall was Jackson mastering late ’70s soul and disco, Thriller was his perfection of ’80s pop. This is Jackson showing that he could blend hip-hop and R&B better than anyone had previously imagined. The new decade starts here, with artists like Mary J. Blige, Jodeci, TLC, R. Kelly, et al. taking cues from Jackson and Riley’s alchemy. To say nothing of Kanye, Drake, and countless others still atop the charts.
On the whole, Michael feels rather dull. Vocally, he’s on target the majority of the time, with the exception of the still manufactured-sounding, “Breaking News”, but musically it’s far from impressive. So many of the beats sound so derivative that it lacks any evolution, which is what Jackson was always about. Look at the transition between Off the Wall and Thriller, or better yet, Bad to Dangerous. He went from disco to ’80s synth, from hair metal aesthetics to New jack swing. What’s more, he always surrounded himself with the most top notch, key players in any industry. Do you think it was by chance that Jackson hired the likes of Macaulay Culkin or Michael Jordan for his videos? Remember, it was the early ’90s, those guys were just as much royalty as he was. The same went for Slash, or Eddie Van Halen, or Martin Scorcese, or Teddy Riley. That’s what’s missing on Michael.
Ben (1972): Yeah, laugh this one off as “the rat record” if you want – you’re missing a treat. Obviously the standout here is the title track, MJ’s first solo hit and yeah, a song about a rat from a movie. But look beyond that track and you’ll find endearing soul and infectious pop records that were dazzling at the time and still hold strong today. Forgotten Favorites: “Ben,” “Greatest Show on Earth,” “What Goes Around Comes Around”.
Michael Jackson family: Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in french! For our dutch readers: We komen meer te weten over de vele traumatische ervaringen van de hoofdpersoon, haar depressies en talrijke worstelingen om alle ellende te verwerken en achter zich te laten. De schrijfster geeft ons duidelijkheid door middel van verschillende flashbacks. Mocienne blijft het reilen en zeilen van Michael Jackson voortdurend volgen. Zo komt zijn – vermeende – kindermisbruik voorbij, komen de vele rechtszaken die er rondom zijn persoon hebben plaatsgehad aan bod, zijn twee mislukte huwelijken, zijn metamorfose, de geboorte van zijn drie kinderen en – last but not least – zijn voortijdige dood. Mocienne komt langzaam maar zeker tot de verbijsterende conclusie dat de maffia een grote en destructieve rol in zijn (én haar) leven heeft gespeeld, waarbij dient te worden aangetekend dat zijn familie, en in het bijzonder zijn moeder en vader, in dit opzicht veel te verwijten valt. Tot op heden heeft Mocienne geen enkele medewerking van de familie Jackson gekregen om een DNA-test te doen, teneinde te kunnen bewijzen dat zij wérkelijk Michaels dochter is. Lees het boek hier Michael Jackson Books.