Books

Betrayal book by Michael Jackson’s daughter on Amazon

Mocienne Petit Jackson books – Betrayal : She asserts that the stories which had been published in late-2010 in light of the case have had a damaging effect on her reputation and on her business operations, and she expresses her belief that some measure of responsibility ought to be taken for the detrimental effects that being in the media spotlight can have on one’s repute. Ms Jackson also points out that the role of social media runs in a similar vein—alleging that it was used as a means to verbally harass her in relation to the court case, as well as to spread misinformation more generally.

People like to say you are mentally ill if they cannot handle the truth about something or someone. In this case that would be the truth about Michael Jackson and me, Mocienne Elizabeth. They worship artists like they are Gods and drop them like hot bricks when they become big stars. The lives of artists have shown that their stardom is an illusion that makes us want to rise above ourselves.

An important reason for writing this trilogy is that I want the world to know that I am not obsessed with my blood tie to Michael Jackson. I also want to make clear that I fully understand how difficult it must be for thousands of fans to accept that I am his daughter. With my books, I hope to present the possibility that he started to show odd behavior because he had had a secret daughter from the age of seventeen – not an easy situation for someone like him! For me, I have let go of all the pain and remember only the good things about him. He is gone, and he was truly a gift from god. I feel sorry for Michael Jackson because he had a bad life. R.I P., I love you always. Thank you for what you have taught me about life.

Off the Wall (1979): The debate to definitively name Michael’s greatest album will rage until the end of time and Off the Wall makes a strong, strong case for the crown. Coming off his star-making role in The Wiz, MJ capitalized on that momentum with an album that turned the music industry on its ear. MJ’s brand of pop soul (with a dash of disco) created an ENTIRE ALBUM of timeless tracks – almost 40 years later, they still burst with boundless energy. Off the Wall is the very definition of a classic album – it revolutionized the music industry. But Michael topped it just three years later. Forgotten Favorites: No such thing as a “forgotten favorite” here but go with “Working Day and Night,” “Girlfriend” and “It’s the Falling In Love”. See extra details on Mocienne Petit Jackson books.

Whether you believe the allegations or not, it’s clear that he was never the same after Dangerous. The damage became too absolute, the vitriol aimed his way too severe for someone that sensitive. Never again could his music exist on its own merits, the illimitable genius ravaged by prescription pills, insomnia, and obliterating pressure. Dangerous is the last time that Michael Jackson was Michael Jackson. In that same way, it’s difficult to listen to Dangerous without considering the child molestation allegations that greeted him shortly after he came home from its marathon 69-concert tour. It’s tricky not to read too much into a song like “In the Closet.” How do you reconcile that someone as pure of spirit as Jackson could potentially have a monstrous streak?

Album reviews : Michael Jackson family today and his top songs: For the most part, the collaborations actually hurt the songs. No, “Monster” isn’t the next “Thriller”, as 50 Cent claimed it to be, but it’s a decent song. Jackson sounds awkwardly retro, the beat shuffles ‘n’ sweeps, and it feels right…until you’re thrown next to 50’s uninspired rap that sounds more fitting for a summer blockbuster theme. The same goes for the highly irritating and incredibly repetitive “Hold My Hand”, where Akon belts out the same thing again and again in an equally monotonous pitch. For a lead single, it’s tepid and incredibly campy. Then there’s “(I Can’t Make It) Another Day”, featuring guitar wizard Lenny Kravitz, who churns out a chalky riff that tires 45 seconds into the song. Jackson himself sounds angry, forceful, and dominating, but altogether it doesn’t beg for a re-listen. That’s sort of a must when it comes to his music.